nyc art scene

a carefully curated calendar & cumulative catalog of new york city's most interesting art exhibitions and events. hand picked by Arthur Seen & Team

Recently Opened:“Props For Memory” Joseph Beuys, Paul P., Amanda Ross-HoINVISIBLE-EXPORTS, 14A Orchard St., NYC (bt Hester and Canal)The work of the three artists presented here addresses the problem of time raised by the failures of memory—the false promise of total recall and the failure of even the most savantish memory, or the deepest archive, to truly preserve. The two living artists, Paris-based painter Paul P. and Los Angeles multimedia artist Amanda Ross-Ho, each present portraits of moments otherwise destined to be forgotten, portraits that encode a kind of ambivalence about the project of remembering or preserving itself—snapshots of moments clouded by indeterminancy, vagueness, fantasy, and flux. Beuys, whose Economic Value work is included as a kind of forebear, addresses the problem in a more innocent way—by assembling a Potemkin grocery store, filled with bygone products he remembered keenly from his own postwar childhood, as a kind of record, of his own inner life as a pre-teen commodity fetishist, understandable only to him and, therefore, doomed to decay. - thru Oct 21

Recently Opened:

Props For Memory
 Joseph Beuys, Paul P., Amanda Ross-Ho

INVISIBLE-EXPORTS, 14A Orchard St., NYC (bt Hester and Canal)

The work of the three artists presented here addresses the problem of time raised by the failures of memory—the false promise of total recall and the failure of even the most savantish memory, or the deepest archive, to truly preserve. The two living artists, Paris-based painter Paul P. and Los Angeles multimedia artist Amanda Ross-Ho, each present portraits of moments otherwise destined to be forgotten, portraits that encode a kind of ambivalence about the project of remembering or preserving itself—snapshots of moments clouded by indeterminancy, vagueness, fantasy, and flux. Beuys, whose Economic Value work is included as a kind of forebear, addresses the problem in a more innocent way—by assembling a Potemkin grocery store, filled with bygone products he remembered keenly from his own postwar childhood, as a kind of record, of his own inner life as a pre-teen commodity fetishist, understandable only to him and, therefore, doomed to decay. - thru Oct 21

Continues thru Sept 23:

Edouard Vuillard: “A Painter and His Muses1890-1940

The Jewish Museum, 1109 Fifth Ave., NYC (@ 92nd St.)
Admission $7.50+, Saturdays Free, Closed Wednesdays

Featuring some fifty key artworks in various media, this exhibition offers a fresh view of the French artist Edouard Vuillard’s career, from the vanguard 1890s to the urbane domesticity of the lesser-known late portraits. The presentation focuses on the inspiration provided by friends and patrons whose support became inseparable from the artist’s achievement.

Opens June 7, 6-9p: “Portrait of a Generation”The Hole, 312 Bowery St., NYCThe Hole will present “a kind of yearbook for New York City in 2012…over 100 artists who make up the art scene here will pair up and exchange portraits with each other. This massive exhibition will serve to give image to a community of people, both renowned and emerging, who are dedicated to making artworks. The works will be hung salon-style on our walls of Gallery 1 and 2, and include painted, drawn and photographic portraits.” - thru Aug 10photo: iStock

Opens June 7, 6-9p:

Portrait of a Generation

The Hole, 312 Bowery St., NYC

The Hole will present “a kind of yearbook for New York City in 2012…over 100 artists who make up the art scene here will pair up and exchange portraits with each other. This massive exhibition will serve to give image to a community of people, both renowned and emerging, who are dedicated to making artworks. The works will be hung salon-style on our walls of Gallery 1 and 2, and include painted, drawn and photographic portraits.” - thru Aug 10

photo: iStock

Just Opened:

The Malingerers
 Nicole Wittenberg

Freight+Volume, 530 W24th St., NYC

In an age of sound bites sandwiched by social media excess and information overload, Nicole Wittenberg’s paintings are a refreshing antidote. Distilled down to their essentials, Wittenberg’s work - whether her “Skype” portraits, her architectural interiors, or her landscapes – offers up a complicated contemporary universe reduced to a skeletal framework. Its elegant brevity is not dissimilar to symphonic variations on a theme: one frame, presented in a multitude of ways, a sure and pared-down message conveyed as directly and with as much brevity as possible. - June 30

Opens Thursday, Feb 23, 6-8p: Piet van den Boog”Bruised and Battered”Mike Weiss Gallery, 520 W24th St., NYCDutch artist Piet van den Boog pushes the limits of portraiture by directly confronting emotion head-on by way of large-scale paintings of faces. Oil and acrylic paint make up the flesh tones and fine facial details while abstract strokes in rust tones, cerulean blues and greens are chemically etched into the cold lead surfaces becoming a powerful metaphor for the internal scars we all possess.

Opens Thursday, Feb 23, 6-8p:

 Piet van den Boog
Bruised and Battered

Mike Weiss Gallery, 520 W24th St., NYC

Dutch artist Piet van den Boog pushes the limits of portraiture by directly confronting emotion head-on by way of large-scale paintings of faces. Oil and acrylic paint make up the flesh tones and fine facial details while abstract strokes in rust tones, cerulean blues and greens are chemically etched into the cold lead surfaces becoming a powerful metaphor for the internal scars we all possess.