“Circulation: Date, Place, Events”
Yossi Milo Gallery, 245 Tenth Ave., NYC (bt W24th & W25th St)
first solo show of Japanese photographer Takuma Nakahira in the United States. “Circulation: Date, Place, Events” was first exhibited in 1971 as part of the Seventh Paris Biennale. Each day, for seven consecutive days Nakahira photographed, developed and exhibited approximately one hundred photographs. The photographs are random glimpses from Nakahira’s daily activities in Paris, including strangers’ faces, produce stands, subway platforms, street posters and even his breakfast setting. Developing the photographs each night, Nakahira exhibited them without omission the following day. Once the walls of the exhibition space were crowded with photographs, the artist spread them onto the floor. The resulting project presented a limited reality dictated by guidelines of “date,” “place” and “events.” A selection of approximately 75 gelatin silver prints produced from the original 35mm black-and-white negatives will be on view. - July 12
thru June 16:
“Day is Long”
Lisa Cooley Gallery, 107 Norfolk St., NYC
For the past few years, Shirreff has explored the effect of mediation on our experience of form. In works that draw together the mediums of photography, sculpture, and video, she has explored how the body responds to moments that are largely imagined, and the uncertainty at the root of knowing something that has transpired in a time or place other than our own. An extension of these interests, the new body of work on view in Day is Long both reflects and speaks to ideas of process. The photographs, sculptures, and videos allude to the daily labors of a studio— repetition, vestigial form, documentation, remnants, blunt material fact. But of interest to Shirreff are the broader ideas at play: the twin acts of making and un-making, the burden of permanence, and what remains of an object once it is gone. Taken together, the works in the exhibition speak to a more general anxiety about finding one’s place within our moment in time.