Opens Sun, Mar 2nd, 6-8p:
“Crosseyed and Painless”
Daniel Rios Rodriguez
Sargent’s Daughters, 179 East B’Way, NYC
Daniel Rios Rodriguez’s work combines the intensely personal with the historical in a manner both humorous and dark. The paintings begin with drawing into a thick layer of oil paint, and can include collage elements of raw canvas, linen and the scraps of old t-shirts onto the canvas. This is a means of recovery and reinstating a fresh surface, exploring the materiality and variety of textures a painting’s surface can have.
The subject matter of the work spans the immediate and classical: skulls, lemons and tall grass along a river are repeated- calling to mind the traditional vanitas pieces. The search is ongoing and the images are abundant.
- thru Mar 30
“Italian Futurism, 1909-1944: Reconstructing the Universe”
Guggenheim Museum, 1071 5th Ave., NYC (at 89th St)
The first comprehensive retrospective of Italian Futurism in a U.S. museum, the exhibition traces the full development of Futurism in Italy, from its inception with F. T. Marinetti’s publication of the Futurist manifesto in 1909 to its demise at the end of World War II. Featuring more than 360 works, including noted paintings and sculptures such as Giacomo Balla’s Paths of Movement + Dynamic Sequences (1913) and Benedetta’s Syntheses of Communications (1933–34), which has never before been presented in America, the exhibition also examines the Futurists’ efforts to refashion everyday life through advertising, architecture, design, fashion, film, music, photography, poetry, and theater.
Gino Severini, Blue Dancer (Ballerina blu), 1912
Futurist Manifesto from 1909 (photo: Suzanne DeChillo/NY Times)
Benedetta Cappa (photo: Suzanne DeChillo/NY Times)
Ardengo Soffici, Simultaneity and Lyrical Chemistry, 1915 (photo: Suzanne DeChillo/NY Times)
closing Feb 15:
William Holman Gallery, 65 Ludlow St., NYC (corner of Grand St)
The exhibition is centered around a trio of monumental sculptures made of discarded commercial 4 x 4 wooden beams, along with a group of intimate wall sculptures and a series of beautifully rendered large drawings in pencil.