nyc art scene

a carefully curated calendar & cumulative catalog of new york city's most interesting art exhibitions and events. hand picked by Arthur Seen & Team

Opens Tomorrow, June 13, 6-8p:“Smuggling the Sun” Eamon Ore-GironNicelle Beauchene Gallery, 327 Broome St., NYC (bt Bowery & Chrystie)Likening the return to elemental abstraction to the revisiting of acoustic instruments from electronically generated sound, Ore-Giron references ethnomusicology as a conceptual influence. Ore-Giron’s intimately scaled paintings reference a meticulous approach to the handmade, using a combination of raw linen and a palette rooted in tones of red and orange to lend an intrinsically organic feeling to his otherwise minimal compositions. - thru July 12

Opens Tomorrow, June 13, 6-8p:

Smuggling the Sun
 Eamon Ore-Giron

Nicelle Beauchene Gallery, 327 Broome St., NYC (bt Bowery & Chrystie)

Likening the return to elemental abstraction to the revisiting of acoustic instruments from electronically generated sound, Ore-Giron references ethnomusicology as a conceptual influence. Ore-Giron’s intimately scaled paintings reference a meticulous approach to the handmade, using a combination of raw linen and a palette rooted in tones of red and orange to lend an intrinsically organic feeling to his otherwise minimal compositions. - thru July 12

Just Opened: “Building Blocks” Jeffrey GibsonMarc Straus Gallery, 299 Grand St., NYCGibson’s artwork intermingles elements of traditional Native American art with contemporary artistic references. Thus powwow regalia, 19th parfleche containers, and drums are seamlessly merged with elements of Modernist geometric abstraction, Minimalism, and Pattern and Decoration. Here there is an echo of Frank Stella, Josef Albers, and Lucio Fontana – canonized in our current dialogue which has little or no inclusion of Native American art which Gibson provides comparable weight and equivalence. - thru Dec 23

Just Opened:

Building Blocks
 Jeffrey Gibson

Marc Straus Gallery, 299 Grand St., NYC

Gibson’s artwork intermingles elements of traditional Native American art with contemporary artistic references. Thus powwow regalia, 19th parfleche containers, and drums are seamlessly merged with elements of Modernist geometric abstraction, Minimalism, and Pattern and Decoration. Here there is an echo of Frank Stella, Josef Albers, and Lucio Fontana – canonized in our current dialogue which has little or no inclusion of Native American art which Gibson provides comparable weight and equivalence. - thru Dec 23

Opens Tonight, Nov 15, 6-8p:

If It’s So Then Let Me Know
 Chris Fennell

Newman Popiashvili Gallery, 504 West 22nd St., NYC

This show continues Fennell’s ongoing practice of creating mixed media collages whose organic and geometric patterns reference nature, mathematics, architecture, and religious art. Fennell’s primary medium is paper, cut in differently sized circles and lines that overlap in layers.
- thru Dec 22

Opens Tonight, June 27, 6-8p: “What’s the Point?” curated by Jeffrey TeutonJen Bekman Gallery, 6 Spring St., NYC (bt Elizabeth St. and Bowery)a group exhibition featuring geometrically themed assemblages, paintings, photographs and works on paper by 19 artists. - thru Aug 4

Opens Tonight, June 27, 6-8p:

What’s the Point?”
 curated by Jeffrey Teuton

Jen Bekman Gallery, 6 Spring St., NYC (bt Elizabeth St. and Bowery)

a group exhibition featuring geometrically themed assemblages, paintings, photographs and works on paper by 19 artists. - thru Aug 4

Just Opened:

SUPERLEGGERA
 Gregory Johnston

Stephen Haller Gallery, 542 W26th St., NYC

new sculptural pieces reflecting the artist’s life-long passion and devotion to the motor car. The Superleggera Series is a study in gleaming color expressed in elegant geometry evocative of the thrill of a remembered race. - June 23

Thank you for the tip from: superleggerallc.tumblr.com

Opens Tomorrow, Apr 19, 6-8p:

Open Gates
 Sara Bichão

Rooster Gallery, 190 Orchard St., NYC (just below Houston St.)

The exhibition reflects two distinct creative moments divided between both floors of the gallery. Upstairs, Bichão presents five paintings on an unusual support material – blocks of Styrofoam, coated with fiberglass, which in turn are coated with concrete. The drawings being shown downstairs constitute another moment of the artist’s creative state, intimately connected with the works described above. They are loosely drawn on single sheets of paper, without geometric restrictions or apparent guiding symmetry, but with the same arcane symbols bearing the ancestral charge of a universal idiom. - thru May 27

Continues thru Mar 25:

Totally
 Tofer Chin

Lu Magnus, 55 Hester St., NYC

Tofer Chin’s new body of work of geometric paintings, photographic wall wrap and sculpture utilizes color palette reflecting the brash attitude of the ‘80s and early ‘90s skater culture. Black, white and neon resonate throughout the exhibition. The geometric construction of the paintings is based on mathematical calculations, with titles based on the sum of its constituent parts: number, color and form. For example, the painting 31 White Lines on Black is made up of 31 white lines on a black background.

Opens Tonight 6-8p:
 RICHARD ROTH“No Hazmats”
Tomlinson Kong Contemporary, 270 Bowery, NYC(between Houston & Prince)
Roth’s paintings are reductive objects and talismans of contemporary culture. Though geometric in appearance, the paintings reference such diverse sources as product and package design, masks, nature, architecture or contours of the body. The saturated color palette is painted in either Flashe or acrylic. Simple suggestions of curve and an exacting articulation of the surface facets endow these paintings with a narrative life that celebrates the magic of the mundane and elevates the ordinary

Opens Tonight 6-8p:

 RICHARD ROTH
“No Hazmats”

Tomlinson Kong Contemporary, 270 Bowery, NYC
(between Houston & Prince)

Roth’s paintings are reductive objects and talismans of contemporary culture. Though geometric in appearance, the paintings reference such diverse sources as product and package design, masks, nature, architecture or contours of the body. The saturated color palette is painted in either Flashe or acrylic. Simple suggestions of curve and an exacting articulation of the surface facets endow these paintings with a narrative life that celebrates the magic of the mundane and elevates the ordinary

Continues thru Oct 30 :

Seher Shah “Object Anxiety” :

Scaramouche Gallery 52 Orchard St, NYC :

“Featuring a collection of drawings, prints, photographs, and sculptural works, “Object Anxiety” continues the artist’s exploration of architectural modernism, specifically, new Brutalism’s engineered social spaces and urban environments. With its oppressive scale, hard-edged geometric forms, and imposing concrete structures, Shah views Brutalism as particularly authoritarian. Breaking down its structures into their component parts, Shah pieces these visual objects together into delicate abstractions that deconstruct their imposition on the human landscape.”