Opens April 11:
Brooklyn Museum, 200 Eastern Parkway, Brooklyn, NYC
Brooklyn-based artist Swoon creates a site-specific installation in Brooklyn Museum’s rotunda gallery, transforming it into a fantastic landscape centering on a monumental sculptural tree with a constructed environment at its base, including sculpted boats and rafts, figurative prints and drawings, and cut paper foliage. Often inspired by contemporary and historical events, Swoon engages with climate change in the installation as a response to the catastrophic Hurricane Sandy that struck the Atlantic Coast in 2012, and Doggerland, a landmass that once connected Great Britain and Europe and that was destroyed by a tsunami 8,000 years ago.
photos from Swoon’s instagram.com/swoonhq
Opens April 11:
closing Feb 15:
William Holman Gallery, 65 Ludlow St., NYC (corner of Grand St)
The exhibition is centered around a trio of monumental sculptures made of discarded commercial 4 x 4 wooden beams, along with a group of intimate wall sculptures and a series of beautifully rendered large drawings in pencil.
opens Feb 12:
New Museum, 235 Bowery, NYC
On view on the Fourth, Third, and Second Floor galleries of New Museum, this will be the first US museum exhibition devoted to the work of Paweł Althamer. Since the early 1990s, Althamer (b. 1967 Warsaw, Poland) has established a unique artistic practice and is admired for his expanded approach to sculptural representation and his experimental models of social collaboration. Althamer is predominantly known for figurative sculptures of himself, his family, and various other individuals within his community. The exhibition will include a new presentation of the artist’s work Draftsmen’s Congress, originally presented at the 7th Berlin Biennial (2012). Over the course of the exhibition, the blank white space of the New Museum’s Fourth Floor gallery will be transformed through the gradual accumulation of drawings and paintings by Museum visitors and more than seventy invited community organizations. Althamer will also activate the exhibition through a sculptural workshop in which the artist and his collaborators will produce new works during the course of the show. For the duration of the exhibition, visitors bringing new or gently used men’s coats to the New Museum will receive free entry. All the coats will be donated to the Bowery Mission.
“A Human Extension”
curated by Amy Berger
The Lodge Gallery, 131 Chrystie St., NYC (bt Delancey & Broome)
Artists Include: Isaac Arvold, Erik Benson, Julie Elizabeth Brady, Paul Brainard, Monica Cook, Melissa Cooke, Peter Drake, MaDora Frey, Jane LaFarge Hamill, Aaron Johnson, Christian Johnson, Michael Kagan, Karl LaRocca, Francesco Logenecker, Daniel Maidman, Lindsay Mound, Reuben Negron, Javier Piñon, Colette Robbins, Jean-Pierre Roy, Michael Schall, Kristen Schiele, Andrew Smenos, Melanie Vote, Frank Webster, Eric White, Barnaby Whitfield, Mike Womack
a celebration of the accessory, the exhibition features twenty-eight artists who, through drawings, paintings, collage and mixed-media, explore the role of fashion in contemporary visual culture. The show re-conceptualizes the fashion accessory, here with geological accessory designs by Jacqueline Popovic, as both sculptural and utilitarian. - thru Feb 16
opens Thurs, Jan 16, 6-8p:
“Gestos Urbanos | Urban Gestures”
Juan Fernando Herrán, Kevin Simón Mancera, Jaime Tarazona
Johannes Vogt Gallery, 526 W26th St., NYC (#205)
The works, by three Colombian artists, brought together for this show offer a range of approaches, from drawing to sculpture to overpainted etchings. Each artist alludes to an overlaying of historical and contemporary urbanism as a structure that binds inhabitants to territories, be it through architecture, public spaces, or local news. - thru Feb 22
thru Mar 10:
Isa Genzken: Retrospective
MoMA, 11 W53rd St., NYC
Isa Genzken is arguably one of the most important and influential female artists of the past 30 years. This exhibition, the first comprehensive retrospective of her diverse body of work in an American museum, and the largest to date, encompasses Genzken’s work in all mediums over the past 40 years. Although a New York art audience might be familiar with Genzken’s more recent assemblage sculptures, the breadth of her achievement—which includes not only three-dimensional work but also paintings, photographs, collages, drawings, artist’s books, films, and public sculptures—is still largely unknown in this country. Many of the roughly 150 objects in the exhibition are on view in the United States for the first time.