Fall 2014 Editor’s Pick
Opens Thurs, Sept 11, 6-8p:
Do Ho Suh
Lehmann Maupin, 40 W26th St., NYC
Lehmann Maupin, 201 Chrystie St., NYC
an exhibition of new works by renowned Korean artist Do Ho Suh. On display at both 540 West 26th Street and 201 Chrystie Street, the exhibition will highlight the significant role and varied forms drawing plays in Suh’s oeuvre. This two-part show will feature the range of his works on paper, including drawings using pencil, pen, ink, and watercolor, his unique “thread” drawings, as well as his large-scale rubbings. Primarily known for his room-scale installations made of transparent fabric that recreate spaces in which he has lived, the artist has consistently utilized drawing throughout his career to explore and develop relationships between common themes of his practice including notions of home, physical space, displacement, identity, and memory. A focus of this exhibition, and Suh’s most elaborate use of drawing to date, is his Rubbing/Loving Project. Here Suh painstakingly covered the flat walls and three-dimensional fixtures of the interior and exterior of architectural spaces that hold great personal, cultural, or historic significance to him with vellum and rubbed each surface with colored pencil or graphite.
Fall 2014 Editor’s Pick
closes soon (June 15):
“Lebbeus Woods, Architect”
The Drawing Center, 35 Wooster St., NYC
The exhibition brings together works from the past forty years by architect Lebbeus Woods, centering on transformation as a recurring theme and providing a framework for understanding the experimental nature of his work. Acknowledging the parallels between society’s physical and psychological constructions, Woods has depicted a career-long narrative of how these constructions transform our being. Working mostly, but not exclusively, with pencil on paper, Woods has created an oeuvre of complex worlds—at times abstract and at times explicit—that present shifts, cycles, repetitions within the built environment. His timeless architecture is not in a particular style or in response to a singular moment in the field; rather, it offers an opportunity to consider how built forms impact the individual and the collective, and reflect contemporary political, social and ideological conditions, and how one person contributes to the development and mutation of the built world.
opens tomorrow, Fri, May 16, 7-9p:
The Lodge Gallery, 131 Chrystie St., NYC (bt Delancey & Broome)
Webster’s paintings depict post-industrial landscapes drawing on the aesthetic traditions of minimalism and realism. Summoning a sense of apocalyptic abandonedness, Webster’s compositions pair high-rise buildings with similarly scaled trees, liken barbed-wire fences and electrical wires to the creeping vines that entwine them, and present an urban ecosystem curiously devoid of inhabitants. - thru June 1
Opens April 11:
Brooklyn Museum, 200 Eastern Parkway, Brooklyn, NYC
Brooklyn-based artist Swoon creates a site-specific installation in Brooklyn Museum’s rotunda gallery, transforming it into a fantastic landscape centering on a monumental sculptural tree with a constructed environment at its base, including sculpted boats and rafts, figurative prints and drawings, and cut paper foliage. Often inspired by contemporary and historical events, Swoon engages with climate change in the installation as a response to the catastrophic Hurricane Sandy that struck the Atlantic Coast in 2012, and Doggerland, a landmass that once connected Great Britain and Europe and that was destroyed by a tsunami 8,000 years ago.
photos from Swoon’s instagram.com/swoonhq
closing Feb 15:
William Holman Gallery, 65 Ludlow St., NYC (corner of Grand St)
The exhibition is centered around a trio of monumental sculptures made of discarded commercial 4 x 4 wooden beams, along with a group of intimate wall sculptures and a series of beautifully rendered large drawings in pencil.
opens Feb 12:
New Museum, 235 Bowery, NYC
On view on the Fourth, Third, and Second Floor galleries of New Museum, this will be the first US museum exhibition devoted to the work of Paweł Althamer. Since the early 1990s, Althamer (b. 1967 Warsaw, Poland) has established a unique artistic practice and is admired for his expanded approach to sculptural representation and his experimental models of social collaboration. Althamer is predominantly known for figurative sculptures of himself, his family, and various other individuals within his community. The exhibition will include a new presentation of the artist’s work Draftsmen’s Congress, originally presented at the 7th Berlin Biennial (2012). Over the course of the exhibition, the blank white space of the New Museum’s Fourth Floor gallery will be transformed through the gradual accumulation of drawings and paintings by Museum visitors and more than seventy invited community organizations. Althamer will also activate the exhibition through a sculptural workshop in which the artist and his collaborators will produce new works during the course of the show. For the duration of the exhibition, visitors bringing new or gently used men’s coats to the New Museum will receive free entry. All the coats will be donated to the Bowery Mission.