“The Real Estate Show, Was Then: 1980”
James Fuentes Gallery, 55 Delancey St., NYC
a historical exhibition revisiting Colab’s infamous 1980 “The Real Estate Show” with original archived artworks. “During the late 1970s and early 1980s the art world underwent rapid change. More and more artists found inspiration by engaging the real world while simultaneously discovering the power of banding together either to confront or circumvent the established order… on New Years’ Eve 1980 a group of Colab members and friends started the new decade off with a bang by squatting an empty, city-owned building on Delancey Street and mounting ‘The Real Estate Show,’ an exhibition about greed, gentrification, eviction, and dislocation. Although the police quickly shut down the show, the guerrilla exhibition attracted so much media attention that as a compromise the city offered the artists the use of another abandoned building on nearby Rivington Street.” (Alan Moore and Marc Miller, 98Bowery.com)
coming this February:
“City as Canvas”
Graffiti Art from the Martin Wong Collection
Museum of the City of New York, 1220 Fifth Ave., NYC
The first time exhibition of works from the expansive street art collection of Martin Wong.
Martin Wong, an East Village artist and collector of graffiti art, amassed a treasure trove of hundreds of works on paper and canvas—in aerosol, ink, and other mediums. Wong, who died of AIDS in 1999, donated his collection to the City Museum in 1994. The artists, including Keith Haring, Lee Quiñones, LADY PINK, and FUTURA 2000, were seminal figures in an artistic movement that spawned a worldwide phenomenon, altering music, fashion, and popular visual culture. The exhibition also includes photographs of graffiti writing long erased from subways and buildings. runs from February 4th through August 24th, 2014.
ongoing thru Jan 12:
“The Mystery of the Ordinary, 1926–1938”
MoMA, 11 W53rd St., NYC (5th/6th Aves)
Bringing together some 80 paintings, collages, and objects, along with a selection of photographs, periodicals, and early commercial work, the exhibition is the first to focus exclusively on the breakthrough Surrealist years of René Magritte, creator of some of the 20th century’s most extraordinary images. Beginning in 1926, when Magritte first aimed to create paintings that would, in his words, “challenge the real world,” and concluding in 1938—a historically and biographically significant moment just prior to the outbreak of World War II—the exhibition traces central strategies and themes from the most inventive and experimental period in the artist’s prolific career. Displacement, transformation, metamorphosis, the “misnaming” of objects, and the representation of visions seen in half-waking states are among Magritte’s innovative image-making tactics during these essential years.
thru Sept 2:
“The Civil War and American Art”
The Metropolitan Museum of Art, 1000 Fifth Ave., NYC (at 82nd Street)
"This major loan exhibition considers how American artists responded to the Civil War and its aftermath. Landscapes and genre scenes—more than traditional history paintings—captured the war’s impact on the American psyche. The works of art on display trace the trajectory of the conflict and express the intense emotions that it provoked: unease as war became inevitable, optimism that a single battle might end the struggle, growing realization that fighting would be prolonged, enthusiasm and worries alike surrounding emancipation, and concerns about how to reunify the nation after a period of grievous division. The exhibition proposes significant new readings of many familiar masterworks—some sixty paintings and eighteen photographs created between 1852 and 1877—including outstanding landscapes by Frederic E. Church and Sanford R. Gifford, paintings of life on the battlefront and the home front by Winslow Homer and Eastman Johnson, and photographs by Timothy H. O’Sullivan and George N. Barnard."
thru July 28th:
“John Singer Sargent : Watercolors”
Brooklyn Museum, 200 Eastern Parkway, Brooklyn, NY
This landmark exhibition unites for the first time the John Singer Sargent watercolors acquired by the Brooklyn Museum and the Museum of Fine Arts, Boston, in the early twentieth century. The culmination of a yearlong collaborative study by both museums, John Singer Sargent Watercolors explores the watercolor practice that has traditionally been viewed as a tangential facet of Sargent’s art making. The ninety-three pieces on display provide a once-in-a-generation opportunity to view a broad range of the artist’s finest production in the medium.