nyc art scene

a carefully curated calendar & cumulative catalog of new york city's most interesting art exhibitions and events. hand picked by Arthur Seen & Team

Opens Tonight, Feb 26, 6-8p:”Krypta” by collaborative group DRAOK Soloway Gallery, 348 South 4th St., Brooklyn, NYSat & Sun 12-5p, Subway: L to Lorimer 347-776-1023Giorgio Guidi and Marta Pierobon formed Draok in 2010 to work collaboratively on shared interests including architecture, perception and social systems. Both Guidi and Peirobon have long been fascinated by the secretive and hidden: crypts, cults, ghosts and memories. Italian cities are built on the foundations of previous settlements—Etruscan, Roman and medieval—producing a stratification of civilizations. New buildings rise on the ruins of the old, burying earlier structures in rubble and debris. In Italian Catholicism there is a long tradition of covering and hiding the past; it is deeply embedded in the hierarchy of the church. Beneath the modern city lies the still present and living past and its treasures, relics, and corpses. Draok’s work is an attempt to excavate, archive and rebuild this hidden past. Both Guidi and Pierobon grew up in the city of Brescia, outside Milan. The cathedral of St. Filastrio in Brescia is an architectural composite, a layering of different historical forms and styles that make up the present building, from the secretive crypt to the public place of worship. For their exhibition at Soloway, the artists have rebuilt this labyrinthine structure, as a theater set for the present. -thru Mar 30

Opens Tonight, Feb 26, 6-8p:

Krypta
 by collaborative group DRAOK

Soloway Gallery, 348 South 4th St., Brooklyn, NY
Sat & Sun 12-5p, Subway: L to Lorimer 347-776-1023

Giorgio Guidi and Marta Pierobon formed Draok in 2010 to work collaboratively on shared interests including architecture, perception and social systems. Both Guidi and Peirobon have long been fascinated by the secretive and hidden: crypts, cults, ghosts and memories. Italian cities are built on the foundations of previous settlements—Etruscan, Roman and medieval—producing a stratification of civilizations. New buildings rise on the ruins of the old, burying earlier structures in rubble and debris. In Italian Catholicism there is a long tradition of covering and hiding the past; it is deeply embedded in the hierarchy of the church. Beneath the modern city lies the still present and living past and its treasures, relics, and corpses.
 
Draok’s work is an attempt to excavate, archive and rebuild this hidden past. Both Guidi and Pierobon grew up in the city of Brescia, outside Milan. The cathedral of St. Filastrio in Brescia is an architectural composite, a layering of different historical forms and styles that make up the present building, from the secretive crypt to the public place of worship. For their exhibition at Soloway, the artists have rebuilt this labyrinthine structure, as a theater set for the present. -thru Mar 30

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